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Blocked

I want to start a large-scale writing project that has been niggling at me for quite a while now, and that I think is really important. But I’m totally blocked about starting – I don’t know whether I’m smart and organised enough to do the project, let alone a good enough writer. It feels too huge to tackle, on several levels… And thus all my scattered thoughts continue to circle around in my mind, distracting and (dare I say?) taunting me.

There are several essays I have in me that are at about the same point.

Although I’m pretty settled into my new job, I still feel like so much is up in the air about what I want to do (perhaps even what I can do) writing-wise; as a result I’m stuck and doing nothing. Which is incredibly frustrating.

Help – how do I get over it?

The right words

This is what I said in The Age today:

Although I continue to love and value the printed word in all forms from zines to books, I think the most significant writing in 2010 will be taking place online. Blogs aren’t new but with the explosion of high-profile online opinion sites such as Crikey, The Drum and The Punch, they are becoming increasingly important to the way we talk about and report news.

Sites helping to build these discussions and contributing to cultural commentary in new ways include New Matilda, The Enthusiast, Cordite Poetry Review, Overland, Fitzroyalty’s hyperlocal sites and individuals like Marcus Westbury, James Bradley, Hazel Dooney and Rachel Hills. Blogs and online magazines like these are having a huge impact on our reading and thinking habits. With a rise in citizen journalism and the democratisation of reportage and opinion, the barriers between writer, publisher and reader are breaking down and the entire way that we consume news is being reimagined.

Beyond news and commentary, reading on screen is becoming more popular with the release of eBook readers and the ubiquitous iPhone.

In 2010, I’m betting we’ll see more playful experimentation in writing for screens – we are ripe for online serials, Twitter novels, user-generated stories, choose-your-own-adventures, mixed media novels, collaborative projects and writing that combine a little bit of all those elements.

Philip Thiel, Max Barry, Andrew McDonald, and [writers who go under the pen names] Junior and LiteraryMinded are local talents worth watching. Writing online is good for writing and literary culture in general – the emergence of new technologies can help engage new audiences, and the result will be that our literary culture thrives.

I’d encourage you to read the full article to see what other Wheeler Centre organisations had to say about significant books in 2010 also!

Sober February

I’m not drinking booze during February.

Ok, I said it. So now if you see me nursing a beer you can call me on it. Same goes for wine, cider, sake, cocktails and all those other lovely drinks that I like to enjoy. Also, no hipflask action.

February seems a good a month as any to do this, given that Febfast is happening and the holiday season is over for me work-wise.

I don’t know if writers struggle more than others to be sober, but drinking is something I do too much of, by any definition. It worries me how habit-forming it is, how socially acceptable, and how natural it seems: beer when it’s hot, wine for dinner, catchup drinks, stress-relief after long day, getting drunk with friends… etc. I mean, sure I can go without drinking for a day (some days!), but a whole month seems daunting. Even a week seems long. And that’s a worry.

I don’t really see this drink-free month as a detox, more like a way to kickstart some healthier habits come March. And hopefully I’ll save a bit of money along the way.

Pearl Oyster, Thornbury

I’ve been wanting to go to Pearl Oyster since Steph blogged about it, so was happy to visit for breakfast today with Cindy, Michael, Toby and Kristy. I’ve ridden through that odd little pocket of Thornbury loads of times before, heading to High Street Thornbury or further on to Preston, and have noticed it gentrifying over the years. Funnily enough I’ve always thought that area was actually Coburg East, it’s that close to mine (10 minutes by bike, crossing Merri Creek).

Pearl Oyster is a really cute and welcoming place, especially for vegans, as the menu caters to them really well. It’s so nice to see a cafe actually catering to a diverse clientele – it’s little things like having tofutti cream cheese and non-dairy butter available that make all the difference. Not to mention staff who know what a vegan is – they have vegan chefs in the kitchen (including Wanting Kneading).

There was so much choice it took me ages to decide what I wanted. Of course, I started with coffee. I liked my latte but Toby wasn’t impressed with his, I don’t think.

In the end I ordered from the specials board – the cumin-spiced scrambled tofu on sourdough toast, with a salad of rocket, pear and walnuts ($16). It was fantastic! Filling, tasty, and the salad went really well with the hot tofu.

I want to go back and explore the menu further – Toby had the grilled field mushrooms which looked amazing, and there is a ‘Tokyo rainbow salad’ which sounds intriguing. Plus they have vegan baked goods. It’s great! And close enough to be a local, which is doubly great.

Pearl Oyster, 114 Miller Street, Thornbury

A bit more on Bonsoy

Steph initially alerted me to this story: Sydney Cafe could face heavy fine for selling recalled Bonsoy.

I haven’t seen Bonsoy in cafes for a while now, but in the first week after the recall was announced the cafes I went into were using it as usual. They all told me the same thing when I asked why, that they would continue using Bonsoy because the recall was ‘voluntary’. But it seems that the recall is now no longer voluntary, as that particular word has been removed from the recalls page (though I remember it was there initially).

It’s annoying that information on that page is updated (or removed) without including the dates of when information changed. Surely it’s in the public interest to know that a ‘voluntary’ recall has changed its status so that serving Bonsoy has become a chargeable offence? (Or maybe ‘voluntary recall’ has a different meaning when it comes to food?)

Interestingly, both the NSW and Victorian Food Authority sites state explicitly that people should not consume Bonsoy and that cafes should not use it, both dated from Dec 09. However, I don’t know whether this info has been edited since then either.

SMH ran an article about the Sydney Cafe being charged for serving Bonsoy too, and it’s a cracker! Cafe raid seizes banned soy milk. Ever wanted to see the phrase ‘black market trade’ in relation to Bonsoy? Yes? Well, this is your article! There is even a picture of the seized soy milk being removed from the cafe, reminiscent of a drug raid or similar. Gold.

Also, according to the article, the people are demanding their Bonsoy! Obviously, they are not the same people who have been commenting on my last Bad Bonsoy post. And not people whose cafes have switched to using Pure Harvest, which I’ve noticed a lot of Melbourne cafes have done. (Wonder if that’s what the suppliers have swapped to, or if it’s a cafe-initiated trend…) And so the world is divided… milk will tear us apart…

Summer reading – halfwayish

So I’m halfway through my summer reading stack.

And then some, actually, if you count that I read not just the first book, but all three of Stieg Larsson’s Millennium Trilogy. Absolutely unputdownable they were. What is it with these books? Not the best written, no, but it’s not bad by any means and they present a sprawling, cracking story that whips along at a frenetic pace. The sequel is better than the first book, which is always nice, and the books get progressively larger in size. There is something utterly fantastic about sitting down with a big fat book and knowing that you’re going to spend the next eight hours reading it and, furthermore, love every second of it. Estelle at 3000books has captured very well the experience of reading The Girl with the Dragon Tattoo.

What else? Another quick read was The Opposite of Life, which is a vampire mystery set in Melbourne. I do love a book set firmly in this city, even if the city is an otherworldly place with vampires climbing buildings and murdering drug dealers… but to balance that, other vampires in the book catch the train, wear Hawaiian shirts, live in Glen Waverly and are altogether helpful and well behaved. This one is from small press publisher Pulp Fiction Press, and I have to note its lovely cover.

Despite the fact that its central theme is butchery, I was looking forward to Cleaving. I really enjoyed Julie & Julia so much, and as much of its charm was in the honest portrayal of the author’s relationship with her husband, I was looking forward to seeing what happened to that world when Powell went off and has a kinky affair. Unfortunately, the book didn’t cut it as much as the first one did – I felt like it was overwritten, like she was trying too hard to be a writer. Which is a real shame because the twin topics of adultery and butchery are endlessly more compelling than the first story… That said, I did enjoy it, just not as much as J&J.

I reviewed Eating Animals for the Big Issue this last week. I’ll post it here after the magazine is out. I thought it would be a harrowing read, and it was. But, given that none of the facts were really knew to me, I was surprised by how profoundly it affected me. I felt dismal the whole time I was reading it – in fact, could only read it in short bursts because it was (literally) affecting me physically – and even worse I continue to be immersed in a deep, helpless funk. I will write more about the book soon.

It was perhaps not sensible to follow Eating Animals with Monkey Grip. I first read Monkey Grip as a teenager, and my memory of it is… well, of being excited by it. Compared to my (perceived) dismal life in Shepparton, the life and scene of 70s Melbourne seemed impossibly glamorous. But now that I’ve had my share of grownup living and partying, in Melbourne and elsewhere, what strikes me about the book is how heartbreakingly lonely it is. It’s so desolate, it’s awful. I can barely read it for more than a few short chapters at a time. (It’s another brilliant book for place though – I can just picture Nora drifting through the streets of Carlton and Fitzroy and the city.)

It’s funny (or not) how certain books can affect you. After reading Eating Animals and Monkey Grip in the space of a few days I now feel absolutely blue – sad about the state of life and the world, on both a personal and global scale. As the other books on my summer reading list are mostly ’serious’, can you recommend a few light reads for me to entertain myself with over the coming weeks?

Little vegan surprises

Now that I’m working somewhere new, I’m finding new places to get coffee. Mr Tulk is my usual haunt, but on the rare days that I catch the tram to work, I stop at a teeny little takeaway place called Organic2go. It’s located in a wedge of the College of Natural Medicine building.

They use Pure Harvest soy milk and have a range of vegan snacks, like muesli, brownies, energy bars and fresh, tasty muffins! A small coffee and muffin costs $5 – bargain. The coffee is good, too.

Also I recently discovered that as well as a good range of vegan cookbooks, the cafe in Dymocks serves vegan cupcakes. So I grabbed one at the same time I was grabbing the final Stieg Larsson book.

They are $3.50 each and super cute! This blueberry cupcake was a bit dry but the frosting was perfect.

Organic2go, cnr Elizabeth & La Trobe Streets, Melbourne
Dymocks, Australia on Collins, Collins St, Melbourne

Who needs cookbooks?

Here are some things I have been cooking from Melbourne’s veg blogs…

Pizza from Where’s the beef?:

Tegg/tofu egg from Miss T:

Mini quiches from Green Gourmet Giraffe (made large and with a shortcrust base and with nooch in it also):

Thoughts on PETA

I have long been anti-PETA. I’m embarrassed that the image many people hold of vegans is a Peta-esque image, and many of their campaigns anger me. It seems like their campaigns are either ridiculous or sexist, or both, and I think it’s terrible that such a large-profile vegan group are such idiots about how they run their organisation.

And I’m not alone. There has been a flurry of Peta-bashing on the internets this week.

Jezebel calls Peta out for ‘treating women like meat’: Ingrid Newkirk is the worst person in the world. (Thanks Carla for the link.)

The article was inspired by an op-ed debate between Ingrid Newkirk herself, and Victor Schonfield. Schonfield wrote an article about the failings of animal activism and pointed the finger right at Peta as prime examples of how to get it wrong: Five fatal flaws of animal activism.

In particular, Schonfield points out the fact that Peta use naked women to promote their cause, and the fact that they have publicly supported fast food chains who have made miniscule changes to their animal welfare policies (an action that I am still reeling over more than a year on – I mean, seriously?)

Newkirk responded by saying that we need to embrace compromise to be able to gain big results in animal rights: A pragmatic fight for animal rights. It was a sharp reprimand against Schonfield and also a call for animal rights activists to work together for a common goal.

In defence of the welfarist position that many criticise Peta for, she says this:

At Peta, we completely understand the appeal of battle cries such as “Not bigger cages ? empty cages!” But giving a little comfort and stimulation for animals who will be in those cages their whole lives is worth fighting for, even as we demand those empty cages. Not only is it the best thing for the animals in the cages, it’s also the best thing for animal liberation. It’s a stepping stone on the road to animal liberation.

Which, to me, sounds sensible. However I cannot support her on the topic of using women’s bodies to sell the cause:

As for the sexy women in our ads, the silly costumes, the street tableaux and the tofu sandwich give-aways, in a world where people want to smile, can’t resist looking at an attractive image and are up for a free meal, if such harmless antics will allow one individual to reconsider their own role in exploiting animals, how can it be faulted? Yes, Peta could restrict its activities to scientific work, but how often do you read of that in the papers? It could just hand out lengthy tracts about ethics, but how many people would stop and take one, let alone read it? Any peaceful action that opens eyes, hearts and minds should be commended, not condemned.

I agree with the idea that attention-grabbing stunts can raise more awareness than the publication of a scientific paper, but there is no justification for exploiting women to carry out such stunts.

I’ve been reading Eating Animals this week and Jonathan Safran Foer got me thinking about Peta in a new light. Despite their (in his words) ‘tasteless, vaudeville-esque tactics’, they have arguably done more than any other organisation to advance the cause of animal welfare and animal rights in the world.

So while this flurry of Peta discussion is happening, I find myself unable, for the first time, to take a side on the issue. Although I don’t condone Peta’s methods (this campaign, for example, is completely horrific), I fear the world would be a worse place for animals if the organisation were to fade away.

I’m really keen to hear what other people think about this. Do you agree or disagree with Peta – and can you give some examples of other highly effective AR organisations? (Maybe we need more Supreme Master – pie activism ftw!)

The illegitimacy of blogging, round two

Return readers of this blog (hello! you are awesome!) might remember that a while ago I posted on the issue of the new ABC/Express Media Book Show blog: the (il)legitimacy of blogging.

The post highlighted how unfair it is that these media outlets will pay for the kinds of writing that will end up in print or on air, but not the kind that will end up on a blog.

Following my post there was a flurry of discussion around the internets on the same topic:

Ryan Paine’s post in particular is an interesting one, because he is talking about how it’s a great opportunity for young writers, and that young writers should be given a chance in these kinds of things. On both those points, I agree – but both those things are separate issues entirely.

Anyway, today seems a good time to return to the discussion, for a few reasons.

Firstly, Overland has just advertised a similar unpaid writing gig: Blogging for Overland. They state:

We can’t pay bloggers. But we can offer guaranteed exposure for your writing on a high-traffic site of a prestigious journal. You’ll make connections with other writers; you’ll get your words out there; you’ll build something of a profile.

Again, I don’t doubt that this is a good opportunity for a writer (of any age!). But it still strikes me as unfair. In a twitter conversation, Overland’s editor Jeff Sparrow said this to me: “The other instance is mags that don’t pay authors. Same innit?”

As the publisher of a mag that doesn’t pay authors, I thought about that a bit. But I don’t think it is the same. The difference is that a mag that doesn’t pay its authors usually doesn’t pay any of its authors.

Overland and the Bookshow Blog are paying some of their writers (those that appear in print/on air) and not others (those that appear on the blog). And that’s where the problem lies for me, and why I titled my posts to highlight how blogging is perceived as a less legitimate form of writing.

Content does two things for a publication: it advances the debate or conversation that the publication is committed to having, and it grows the profile and reputation of the publication. Content does this whether it is published in print or online. So why do only the writers that appear in print get paid? Yes, print articles are usually longer, but pay rates for blog entries could be scaled to take that into consideration. If the online content is seen as less worthy than the printed content, then why publish it at all?

The second reason why this is a good day to reignite this discussion is because today John Birmingham wrote an article about it in the Brisbane Times: Aunty? I want some answers.

Those who follow Birmingham on twitter will know that yesterday he was outraged to discover that the Book show blog gig is unpaid. (Interestingly, the line about the gig being unpaid has been removed from their callout for writers, which is why it wasn’t obvious to Birmingham when he first read the ad.)

In true Birmingham rant-style (sightly edited down by me, but his emphasis), he says this:

This looked like a great gig for a baby writer…You can imagine my horror then, when less than two minutes later, I start getting [tweets] telling me the gig was unpaid.

As in you would work for free. Reporting from writers festivals and literary events. Doing your research. Taking and transcribing interviews. Reading, taking notes on, and writing reviews of books. You would be doing the sort of work that professional writers and journalists do, with all of the attendant responsibilities and pressures BUT YOU WOULD NOT BE PAID.

He also mentions this blog (!) and quetions the legitimacy of blogs and blogging:

I suspect a large part of the problem… is a reluctance by elements of the ABC to accept blogging as a legitimate media form. It’s unusual because they’re years ahead of the commercial networks in their pioneering of digital media in many other ways. As Dempster points out, old-fashioned book reviewers on the show are paid for delivering their critique to air. Repackage that content as a blog, however, and pile on extra responsibility for managing any comment thread that arises from it, and you’re suddenly giving it away for free.

It’s wrong.

It’s worth reading the whole article if you’re interested in this issue, and the comments thread. (There is a lot of outrage in the comments thread – outrage at the ABC, and outrage at Birmingham’s statements.)

Anyone else have any further thoughts on this issue?

Edit: Jeff Sparrow has blogged about this issue at Overland: blogging, payment, the ABC and Overland.